Peter’s “Some kind of” Cypress
Our August session with Peter Tea focused on three different junipers. He brought a Sierra juniper trunk with lots of successful Shimpaku grafts, a Kishu, and an Itoigawa. He also brought some type of cypress as an example of a well-developed tree. The ramification on the undersides of the many dense pads on the cypress were a wonder to behold.
Before proceeding, I would like to share the results of a little online research I did into the names of the junipers Peter brought. Peter kept referring to his “Kishu” with a quick, parenthetic reference to “Shimpaku,” the name I recognize for the smoother, more luscious-looking variety of juniper. I was unclear if Peter using both names meant they are interchangeable or something else, and I suspect I wasn’t the only one. Apparently, Kishu, Itoigawa, and Shimpaku are all distinct but similar varieties, equally valued for their smooth, scale-type foliage, which is universally considered superior to the needle-type foliage found to differing degrees on other juniper varieties.
As he prepared to start work on the first tree, Peter reviewed the list of signs you want to see from a tree before you start any major work on it. These are bushiness, runner branches, and foliage that has hardened off. He pointed out that with relatively slow-growing varieties like Shimpaku, you may only get these signs of vigor once a year while developing Continue reading
Photography by George Haas.
Our annual auction was held on the evening of August 17, 2017 at the Terra Linda Community Center for the first time which worked out very well. We used two out of three adjoining rooms, and have the option to spread out next year if we need the space. We all agreed a microphone would have been useful so that people in the rear of the rooms could hear more clearly and not miss any of Jay’s jokes. As a fundraiser, the auction was a great success. We did better in revenues than the past two years. These funds will help us plan for next year’s operations and calendar of events, such as inviting professional bonsai speakers, demonstrators, etc.
Shortly after the auction, Candace Key announced she was stepping down as auction wrangler to take a well-deserved rest and allow for someone else to manage the annual event. Sharon Bone offered to take on the responsibilities of next year’s auction wrangler. A very critical position! The auction wrangler is responsible for planning, scheduling, locating and securing a venue, organizing leaders and helpers, insurance needs, and ensuring the event runs flawlessly. With the support of the club membership, no doubt Sharon will do to a fine job.
We certainly want to thank our members and the support from other bonsai clubs and the community at large for the auction’s success. People came from great distances and through miserable traffic to buy and sell at our auction which is a tribute to our organization and professionalism. We look forward to next year and the likelihood of using the same venue for our annual auction. Did you check out the Three Twins Ice Cream across the street? Next year . . .
– George Haas and Candace Key
The June 6, 2017 meeting of the Marin Bonsai Club featured our very own Jay McDonald, who demonstrated some work on a sizable, two-tree rock planting, which was raffled off at the end of the night. Jay had assembled the planting earlier this year, almost completely from materials he obtained at the Golden State Bonsai Federation’s Mammoth event in February. Its well-established health was a testament to Jay’s skill with this fascinating subcategory of bonsai artistry.
Before starting in on the rock planting of the evening, Jay first introduced us to another, older planting he had created, featuring a Nanking Cherry tree, the arcing limbs of which complemented the giant arc of the rock. Planting trees in rocks requires a fair bit of ingenuity. Sometimes you have to drill or chisel into a rock to create more space for roots, find unique ways to attach anchor wire, or epoxy small bits of rock in place to eliminate the tippiness of a rock. For his Nanking Cherry rock planting, Jay showed us where he had to create more root space by attaching a large piece of screen (the type we all use to cover the holes in our pots) across a gap in an otherwise high side of a natural bowl in the rock. There’s no amount of accent plants and moss that will completely cover something that dramatic, but since it’s in the back of the planting, the end result works and looks just fine.
Next Jay introduced us to his current subject matter, a Cedar of Lebanon planted with a unique maple, appropriately spaced and arranged with accent plants on a nice dramatic Continue reading
The Marin Bonsai Club conducted its annual beginners’ workshop on July 18 and 25, 2017, at the Multi-Purpose Room at the Marin Art and Garden Center, Ross, California. This year’s beginners’ workshop or workshops were different in that they were taught as two-part classes by senior club members. The objectives were to teach interested students what is bonsai and learn from practical, hands-on techniques for developing nursery stock plants, styling, care, and maintenance of bonsai.
Roger Lion lecturing on the definition of bonsai and its origins.
The club provided the students with two plants (boxwoods and golden junipers) and aluminum wire and the tools to work with. The cost was $70 which included plants and supplies. Reservations were required and were started at the Marin County Fair bonsai display at the beginning of July. The responses to reserving one of 12 positions were great. The club had to turn away a number of individuals due to all 12 positions being filled early.
John Doig and Roger Lion covering bonsai styles.
On July 18, the president of the club, George Haas, welcomed everyone and introduced lead instructor Chris Ross, assistant instructor John (the Wire Guy) Doig, and bonsai historian Roger Lion. Other club members were present to help out.
The first class covered the definition and origins of bonsai by Roger. Then, Chris explained styling a bonsai from nursery stock. The students worked on boxwood Continue reading
George Haas has created this snazzy little video showing some scenes from our display at this year’s Marin County Fair.
And click on the photo below to check out the 2017 Fair photo gallery:
June 30 – July 4, 2017
Click on the box above to see who’s signed up for which shifts – updated 6/18/17.
Use the ‘Contact Us’ form or email firstname.lastname@example.org to sign up.
This really is the highlight of our bonsai year, and if you’ve ever been a docent before then you know that it is a lot of fun. You will get to answer really basic questions about bonsai and meet nice people who are interested in your hobby. It’s also a fun time to hang out with fellow members and share bonsai experiences.
The Fair runs from June 30 – July 4 and there are 3 shifts each day. We need for all of them to be fully staffed so we can make sure our trees are safe from curious fingers, well watered, and the public well-informed about the glorious art of bonsai. So check your calendars, confer with significant others, look at the Fair schedule for other events you might want to explore on the same day, and sign up for multiple shifts, if you can possibly manage it. We need all hands on deck at the Fair, and for set up and take down as well. The Fair exhibit is a fund-raiser for the Club and one of our best opportunities to reach out to the public and recruit new members. It’s easy. It’s fun. Your Club really needs you to help out.
We will have admission tickets for docents and parking passes for those who pull multiple shifts at the June 20 workshop.
Set up is June 28 and we need people from 9:30 AM for a couple of hours. Trees need to arrive no later than 1:30 PM to insure inclusion in the exhibit. If you have trouble getting your trees there in that window please discuss options with Jay.
Here you’ll find answers
to the most frequently asked questions
from visitors to our show.
The Marin Bonsai Club has published a club information brochure for distribution. The brochure is loaded with information about our club philosophy, activities and exhibitions, and a brief history. It is intended for public consumption and new members. You will see it as a hand-out at our annual exhibitions and auction & sale. For more information, contact either Candace Key or George Haas.
This is the time of the year the club members really pull together to promote our club in the best possible way through the display of our bonsai. Please prepare your trees to show their best. Sign up for multiple docent shifts if possible. We need as many volunteers as we can muster. The Fair is always so much fun; we get to promote the Marin Bonsai Club, sign up individuals for the beginners’ bonsai class and auction following the Fair, all of which attracts new members. Our bonsai exhibit is a big draw among Fair-goers and we need to make this one another standout. I hope everyone will lend their support.
At our May meeting, Peter Tea reintroduced us to two trident maples he had worked on in previous sessions. He did some more work on one of them, then moved to a Seiju elm and proceeded to give it some severe, but highly educational, pruning.
Peter made it clear at the outset that he didn’t want to do too much writing on the board this time, but rather wanted to do a lot of work on the trees. But he did list some of the most relevant review points for us to bear in mind as we watched him work. He listed the techniques most appropriate for tridents and elms at this time of year: pinching, defoliation (not for elms), cutting, and wiring. He also wrote down the two conflicting goals when we must decide whether or not to make a cut: thickening versus division. Finally, he listed the things we can manipulate to control our trees’ rate of growth: sun, water, soil/pot, repot interval, fertilizer, and cutting. His focus that evening was on cutting and wiring, with an emphasis on how those techniques can help us expose different parts of our trees to sun.
The first tree Peter worked on was a trident maple we have seen before, when he drastically cut it back at his previous demonstration. It was very instructive to see how it had changed, largely in line with Peter’s original intentions. He had dramatically chopped Continue reading